2021
9th November, 2021
29th October, 2021
29th October, 2021
12th-15th October, 2021
7th July, 2021
26th June, 2021
21st April, 2021
25th February, 2021
Apophisian Scriptures [Lapsus memoriae IX] (2020) for contrabassoon, double bass, piano & stereophonic fixed-media
UGA Faculty Chamber Series
Dancz Center for New Music, University of Georgia, U.S.A.
Subaerial Collective | Peter Van Zandt Lane (contrabassoon), Emily Koh (double bass), Adrian Childs (piano)
Apophisian Scriptures [Lapsus memoriae IX] (2020) for contrabassoon, double bass, piano & stereophonic fixed-media
A. J. Fletcher Recital Hall, East Carolina University, U.S.A.
Subaerial Collective | Peter Van Zandt Lane (contrabassoon), Emily Koh (double bass), Adrian Childs (piano)
Vestigium I & II (2020) for solo percussion & fixed media
IKLECTIK, London UK
angela hui wai nok (percussion)
67th International Rostrum of Composers
Radio Belgrade, Belgrade, Serbia
[audio recording only]
EXORDIUM Collective | Charles Ng (saxophone), Karen Yu (percussion), Thomas Ang (piano), Angus Lee (conductor)
Vestigium I & II (2020) for solo percussion & fixed-media
Hongkong première
Cattle Depot Theatre, Cattle Depot Artist Village, Ma Tau Kok, , Hong Kong
angela hui wai nok (percussion)
Lethescape (2020) [5 méditation-fragments] for bass flute, violin & cello
World première | IRCAM ManiFeste 2021
Salle 200, Le CENTQUATRE, Paris, France
Ensemble Intercontemporain | Wendy Vo Cong Tri (bass flute), Diego Tosi (violin), Éric-Maria Couturier (cello)
Vestigium I (2020) for solo percussion
World première | eavesdropping.london series
Oxford House, London, UK
angela hui wai nok (percussion)
Lapsus memoriae III — Interlude: Hikari to Yami no Kansō [ 光と闇の間奏 ] (2018) for stereophonic fixed-media
World première | Tehran International Electronic Music Festival 2020
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