INTERVIEWS & REVIEWS
JAN 2025
South China Morning Post
Review: Elim Chan like a magician in brilliant Prokofiev Symphony no.5 with the HK Phil
by Christopher Halls
NOV 2024
The Standard
Top musicians do Hong Kong proud
by Bernard Charnwut Chan
DEC 2023
Master-insight.com (Chinese)
與NOVA Ensemble齊迎香港作曲家聯會新舊作品40年
by Tina Fu
NOV 2022
NowTV News (Chinese)
本地年輕古典音樂家力覓機會 實踐抱負
by Ada Chan
NOV 2022
South China Morning Post
Review: World’s first ‘artificial intelligence opera’ review: Chasing Waterfalls blends live and digital performers seamlessly
by Edison Hung
OCT 2022
International Association of Theatre Critics (Chinese)
AI殺死藝術？
by Edison Hung
OCT 2022
South China Morning Post
AI opera Chasing Waterfalls poses existential questions about human identity and the influence of the digital world
by Amborse Li
SEPT 2022
concerti.de (German)
Opera Reloaded: chasing waterfalls – Semperoper Dresden
by André Sperber
SEPT 2022
Süddeutsche Zeitung (German)
Erste Oper mit KI : Hightech und Mysterienspiel
by Michael Stallknecht
SEPT 2022
br-klassik.de (German)
Künstliche Intelligenz steuert virtuelle Stimme: KI-Oper “Chasing Waterfalls” in Dresden
by Uwe Friedrich
SEPT 2022
musik-in-dresden.de (German)
„Eine Stunde ist wahnsinnig lang in einer von TikTok geprägten Kultur“: Interview mit Angus Lee
by Björn Kühnicke
SEPT 2021
Berliner Zeitung (German)
Künstliche Intelligenz hält Einzug in die Opernwelt
by Jörg Schurig
OCT 2018
Takung Pao (Chinese)
長笛音樂家李一葦：既長於演奏，亦醉心創作
by Daniel Lo
AUG 2018
International Association of Theatre Critics (Chinese)
看見年青創作新勢力——評「演藝作曲系青少年創意合作計劃音樂會」
by Leon Chu
MAR 2018
Artomity Magazine
After the Deluge
by Tessa Moldan
SEP 2017
South China Morning Post
Hong Kong Musicians to reflect on colonialism with showcase at Iceland festival
by Oliver Chou