INTERVIEWS & REVIEWS
Laku noć, 33. MBZ!
by Alenka Bobinsky
APR 2025
glazba.hr
(Croatian)
Criticism: VIGO / Vertixe Sonora acerca a España y China por medio de la música actual
by Paco Yáñez
APR 2025
Scherzo Classical Music Magazine
(Spanish & English)
Review: Elim Chan like a magician in brilliant Prokofiev Symphony no.5 with the HK Phil
by Christopher Halls
JAN 2025
South China Morning Post
Top musicians do Hong Kong proud
by Bernard Charnwut Chan
NOV 2024
The Standard
與NOVA Ensemble齊迎香港作曲家聯會新舊作品40年
by Tina Fu
DEC 2023
Master-insight.com (Chinese)
本地年輕古典音樂家力覓機會 實踐抱負
by Ada Chan
NOV 2022
NowTV News (Chinese)
Review: World’s first ‘artificial intelligence opera’ review: Chasing Waterfalls blends live and digital performers seamlessly
by Edison Hung
NOV 2022
South China Morning Post
AI殺死藝術？
by Edison Hung
OCT 2022
International Association of Theatre Critics (Chinese)
AI opera Chasing Waterfalls poses existential questions about human identity and the influence of the digital world
by Amborse Li
OCT 2022
South China Morning Post
Opera Reloaded: chasing waterfalls – Semperoper Dresden
by André Sperber
SEPT 2022
concerti.de (German)
Erste Oper mit KI : Hightech und Mysterienspiel
by Michael Stallknecht
SEPT 2022
Süddeutsche Zeitung (German)
Künstliche Intelligenz steuert virtuelle Stimme: KI-Oper “Chasing Waterfalls” in Dresden
by Uwe Friedrich
SEPT 2022
br-klassik.de (German)
„Eine Stunde ist wahnsinnig lang in einer von TikTok geprägten Kultur“: Interview mit Angus Lee
by Björn Kühnicke
SEPT 2022
musik-in-dresden.de (German)
Künstliche Intelligenz hält Einzug in die Opernwelt
by Jörg Schurig
SEPT 2022
Berliner Zeitung (German)
長笛音樂家李一葦：既長於演奏，亦醉心創作
by Daniel Lo
OCT 2018
Takung Pao (Chinese)
看見年青創作新勢力——評「演藝作曲系青少年創意合作計劃音樂會」
by Leon Chu
AUG 2018
International Association of Theatre Critics (Chinese)
After the Deluge
by Tessa Moldan
MAR 2018
Artomity Magazine
Hong Kong Musicians to reflect on colonialism with showcase at Iceland festival
by Oliver Chou
SEP 2017
South China Morning Post